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Log out of ReadCube. Of particular interest to the discussion is the fact that Dresden avoided much of the controversy that often accompanies the representation of German wartime suffering.
Yet while the film's presentation of the bombing of the city was largely accepted by critics, its use of certain genre conventions proved more troubling. Specifically, the manner in which Dresden employs James Cameron's epic disaster film Titanic as an intertext is examined, along with a number of films by Steven Spielberg, whose production company, DreamWorks, TeamWorx clearly sees as a role model. Volume 61 , Issue 2.
If you do not receive an email within 10 minutes, your email address may not be registered, and you may need to create a new Wiley Online Library account. If the address matches an existing account you will receive an email with instructions to retrieve your username. Paul Cooke University of Leeds Search for more papers by this author.
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